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INNER DIGITAL

GALLERY 

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This is a new approach of the museums. This space is far from ordinary... It's a digital museum that hosts a curated collection of works spanning diverse fields.

 

We live in an era where our lives unfold as a constant act of representation. As Guy Debord pointed out in The Society of the Spectacle, everything that surrounds us tends to become obsolete, consumed, and replaced. We inhabit a funnel of stimuli, a saturation of images and digital environments that often numb us rather than allow us to feel. As an art director, I envision this archive as a site of affect: a place where different fields  coexist. A place where the meeting  with an image, a video, or a fragment generates  connection. This is an archive that aspires to be alive: a living constellation of works and emotions, capable of altering the way we see and inhabit reality.

 

The Residual Archive is not only about preservation, but about activation. About allowing art to reclaim its silent and profound power to leave a mark, to stay within us, and to reconfigure our inner landscapes.

PORTRAIT N013 1985 PATRICK.webp

Patrick Tosani
Portrait No 13
1985

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Felix Gonzalez Torres
Untitled, The Puzzle Series of Encapsulating Intimicy.
1990

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Installation

FRAGMENTS OF MY CHILDHOOD, THE INTIMATE THAT BECOME COLLECTIVE, MY UNCONSCIOUS FROZEN IN A SINGLE MOMENT.

The Residual Archive is not only about preservation, it is about activation. About allowing art to reclaim its silent and profound power to leave a mark, to stay within us, and to reconfigure our inner landscapes.

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Roni Horn

When you travel, it´s also about dying. In the end, It is about death´ 

1995

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Jo Ann Callis
Milk Bath
1979.

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Gillian-Wearing-Me-from-Signs-that-say-what-you-want-them-to-say-and-not-Signs-that-say-wh
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Gillian-Wearing-My-grip-on-life-is-rather-loose-from-Signs-that-say-what-you-want-them-to-
Gillian-Wearing-I-hate-this-world-from-Signs-that-say-what-you-want-them-to-say-and-not-Si

GILLIAN WEARING SIGNS

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